Don’t worry all, I’m still alive (though a bag of blood short!. The title is taken from my friend, who described the movie to me in 2 words “blood and tits”. It’s kinda true.

I donated yesterday (in under 5 minutes actually), and there was such a big lineup I was almost late to see 300. Unfortunately, I realized I should’ve probably lied down for a bit longer as I nearly passed out standing on the bus. Luckily, another student from my school offered me her seat for the last few minutes of the ride. I sat in the small bus terminal for a few minutes, then my classmate and I went and saw 300.

Wow! I have not seen that many built men EVER. Some of them had such large legs I thought they were tree trunks. When I told my classmate that there’s actually 3 trannies in the movie, we played “Spot the Tranny”. We found all 3!

That leads to the next point. The Queen character was probably one of the most brilliantly created “strong” woman. There were no hissy fits, no skanking it up, and even when she at the mercy of the counsellor, she found a way to get back at him for raping her (sorry for the spoilers!).  She was probably one of the first characters in any movie that I did not find that was just inserted to be someone’s lover or a plot device. Alot of movies I have found use women as plot devices and not actual stand alone characters. Just look at any movie: Pirates of the Caribbean? Kierra Knightly has no other purpose than to advance the plot and be the love interest (even going as far as causing a slight love triangle).

Why?

I don’t think they have any idea how to actually write a stand alone woman character without finding it a hassle.

Think about it.

Most women in historical context weren’t warriors; if they make a movie such as Arthur, the woman is a barbarian with a slight injury, overplaying it for pity, versus the young boy who was sick and dying in the same jail. She was nothing short of annoying. Otherwise, they’ll make her a princess, played by the prettiest actress they can get.

If they try to make her a love interest from the beginning, then she automatically becomes some lusty busty whore, attracting the attention of the main character from her pitiful situation, or even worse, someone has paid/bet someone to go out with her (10 things I hate about you, etc). There is always one girl who is “non-conformist”,  living her life by “trying to be different”. Even worse, are the ones where they transform the shy nerdy ones to sex goddesses.

There are great women characters, don’t get me wrong, but they are usually

A) not the main character/ unimportant supporting character.

B) they are too young or two old

C) They were in a Frank Miller movie (even though he’s obsessed with hookers, they’re pretty down to earth).

I think it’s very hard to protray a realistically sound and sane female. Look at the W-network (Or as I like to call it, “watch-susie-get-beaten-again-movie-network”). Almost any show that showcases a female as the main character is so out there it’s almost hard to watch.  Sex in the City type characters are rampant, or the strong dominate female that can do EVERYTHING and ANYTHING. It’s worse than watching a 3 ring circus going round and a round. Beaten, abused, or Harlequin-romance-novel characters are much easier to keep the story going than to use some effort.

So what can we do about it?

Short of writing my own scripts and submitting them to Hollywood? Hell if I know.

But I do know that I enjoyed Dining in Hell last night.